| Notes from the New Editors |
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| The Intertextual Imagination in Purple Hibiscus |
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J. Roger Kurtz |
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| "My Body is History": Embodying the Past, Present, and Future in Dionne Brand's Sans Souci and Other Stories |
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Katie L. Mullins |
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| Mark Twain, Anson Burlingame, Joseph Hopkins Twichell, and the Chinese |
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Hsin-yun Ou |
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| An Aesthetic of Companionship: The Champlain Myth in Early Canadian Literature |
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Andre John Narbonne |
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| Fulfilling Her "Duty to Her Quom": The Punjabi-Sikh Ethos of Shauna Singh Baldwin's What the Body Remembers |
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Harveen Mann |
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| Looking Back, Looking Forward: Examining Pre-Colonial Identities in Mahesh Dattani's Dance Like a Man |
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Asha Sen |
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| Double Vision in Aravind Adiga's The White Tiger |
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P. Suneetha |
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| Deconstructing Terror: Interview with Mohsin Hamid on The Reluctant Fundamentalist |
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Harleen Singh |
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| A Legacy of Violence: Interview with Kamila Shamsie about Burnt Shadows (2009) |
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Harleen Singh |
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| Pauline Dodgson-Katiyo and Gina Wisker, eds. Rites of Passage in Postcolonial Women's Writing |
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Lisa Grekul |
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| Paul Jay. Global Matters: The Transnational Turn in Literary Studies |
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Miriam Novick |
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| Malashri Lal and Sukrita Paul Kumar, eds. Speaking for Myself: An Anthology of Asian Women's Writing |
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Shyamala A. Narayan |
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