| Introduction: The Cultures and Literatures of Micro-States |
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Elaine Yee Lin Ho, Shirley Geok-Lin Lim |
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| "The litany of islands, The rosary of archipelagoes": Caribbean and Pacific Archipelagraphy |
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Elizabeth DeLoughrey |
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| Questioning the Fantasy of Difference |
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Helen Johnson |
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| Freeing the Ancestors: An Interview with Epeli Hau'ofa |
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Michelle Keown |
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| Family Resemblances: The Construction of Pakeha History in Jane Campion's "The Piano" |
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Susan Yukie Najita |
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| Postmodernism in Bamboo Scaffolding: Timothy Mo's "An Insular Possession" and Xi Xi's "My City: A Hong Kong Story" |
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Jennifer McMahon |
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| Papua New Guinea Literature at the Crossroads: Islands, Languages, and Cultures |
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Regis Stella |
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| Donne Undone: The Journey of Psychic Re-integration in Wilson Harris's "Palace of the Peacock" |
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Nouri Gana |
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| Flowers in the Shadow: Derek Walcott and the Poetics of "We Little Nations" |
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Lance Callahan |
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| A Fictional and Cultural Labyrinth: Caryl Phillip's "The Nature of Blood" |
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Bénédicte Ledent |
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| Barbadian Aesthetics: Towards a Conceptualization |
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Curwen Best |
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| The Night in this Station |
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Oliver Friggieri |
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| Dismantling the Wayang Stage |
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Leong Liew Geok |
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| Tortoise Hunting |
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Kyriakos
Haralambidis, (translated by Martin McKinsey) |
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| Disjecta Membra |
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Kyriakos
Haralambidis, (translated by Martin McKinsey) |
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| The Line |
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Kyriakos Haralambidis, (translated by Martin McKinsey) |
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| Howard J. Booth and Nigel Rigby, eds. Modernism and Empire. |
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Patrick Colm Hogan |
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| Gregory Elliott. Perry Anderson: The Merciless Laboratory of History. |
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Pamela McCallum |
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