articles on brontë, astley, sullivan, singapore thrillers, and 'writing the caribbean'
Table of Contents
Articles
| Unsuspecting Storyteller and Suspect Listener: A Postcolonial Reading of Charlotte Brontë’s Jane Eyre |
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Carine M. Mardorossian |
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| In a Transnational World: Exploring Gendered Subjectivity, Mobility, and Consumption in Anita Desai’s Fasting, Feasting |
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Angelia Poon |
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| Mapmaking and the Spatial Politics of Power in Thea Astley’s Hunting the Wild Pineapple |
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Jacqueline Shin |
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| Singapore’s New Thrillers: Boldly Going Beyond the Ethnographic Map |
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Tamara S. Wagner |
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| Language in Chinese Canadian Writing: Impact on Interpretation and Reception |
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Milan V. Dimić |
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| “A knife through time”: Robert Sullivan’s Star Waka and the Politics and Poetics of Cultural Difference |
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Chris Prentice |
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Special Cluster
| Producing the Colonial Subject: Romantic Pedagogy and Mimicry in Jamaica Kincaid’s Writing |
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Jocelyn Stitt |
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| “You Ain No Real-Real Bajan Man”: Patriarchal Performance and Feminist Discourse in Paule Marshall’s Brown Girl, Brownstones |
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Lewis MacLeod |
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| Jamaican Ladies and Tropical Charms |
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Erin Mackie |
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| Blue Be-longing: A Discussion of Olive Senior’s Latest Collection of Poetry, over the roofs of the world |
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Anne Collett |
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Reviews
| Amrita Bhalla. Shashi Deshpande. |
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Nancy E. Batty |
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| Terry Eagleton. After Theory. |
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Jonathan Locke Hart |
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| Jahan Ramazani. The Hybrid Muse: Postcolonial Poetry in English. |
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Pramila Venkateswaran |
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Other
| Notes on Contributors |
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ISSN: 1920-1222
