| “See synonyms at MONSTER”: En-Freaking Transgender in Jeffrey Eugenides’s Middlesex |
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Sarah Graham |
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| Transfiguring Black and Jewish Relations: From Ignatius Sancho’s Letters and Olaudah Equiano’s Interesting Narrative to David Dabydeen’s A Harlot’s Progress |
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Jutta Schamp |
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| The Evolution of Artistic Faith in Patrick White’s Riders in the Chariot |
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Meg Harris Williams |
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| “The Remnant is the Whole”: Collage, Serial Self-Representation, and Recovering Fragments in Theresa Hak Kyung Cha’s Dictée |
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Nicole McDaniel |
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| Traumatic Representation: The Power and Limitations of Storytelling as “Talking Cure” in Michael Ondaatje’s In the Skin of a Lion and The English Patient |
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Vikki Visvis |
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| The Spoor of Scattered Memories: Journeys, Landscapes and Identities in Australian Transcultural Life Writing |
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Luisa Percopo |
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| Amitav Ghosh in Conversation |
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Alessandro Vescovi |
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| A Source in Sorcery: The Black Hen and the Posthumous Poet |
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K. Narayana Chandran |
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| Robert Berold, ed. It All Begins: Poems from Postliberation South Africa. |
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Neil ten Kortenaar |
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| Nora Foster Stovel. Divining Margaret Laurence: A Study of Her Complete Writings. |
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Laura K. Davis |
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| Bill Schwarz, ed. Caribbean Literature after Independence: The Case of Earl Lovelace. |
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Veronica Austen |
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| Gill Plain and Susan Sellers, eds. A History of Feminist Literary Criticism. |
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Kate Faber Oestreich |
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| Stephen Clingman. The Grammar of Identity: Transnational Fiction and the Nature of the Boundary. |
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Mark A. McCutcheon |
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