| The Cosmopolitan Novel: Notes from the Editor |
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| Introduction |
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Emily Johansen, Soo Yeon Kim |
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| Once There Was Cosmopolitanism: Enchanted Pasts as Global History in the Contemporary Novel |
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Bishnupriya Ghosh |
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| “Any Educated Person Would Know”: Cosmopolitan Aesthetics, Good Taste, and ‘Knowing Better’ in Peter Carey’s My Life as a Fake |
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Lewis MacLeod |
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| Ethical Treason: Radical Cosmopolitanism In Salman Rushdie’s Fury (2001) |
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Soo Yeon Kim |
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| Authoritarianism, Cosmopolitanism, Allegory |
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Jini Kim Watson |
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| In and Out of the Spectacle: Beijing Olympics and Yiyun Li’s The Vagrants |
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Belinda Kong |
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| Risky Cosmopolitanism: Risk and Responsibility in Catherine Bush’s The Rules of Engagement |
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Emily Johansen |
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| The Voices of Others: Dave Eggers and New Directions for Testimony Narrative and Cosmopolitan Literary Collaboration |
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Brian Yost |
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| What is World Literature? |
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Wang Ning, David Damrosch |
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| Wang Ning. Translated Modernities: Literary and Cultural Perspectives on Globalization and China. |
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Sun Yifeng |
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| Sourayan Mookerjea, Imre Szeman, Gail Faurschou, eds. Canadian Culture Studies: A Reader |
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Lily Cho |
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